New moaning and creaming orgasmic story on Hack3r News: US bans differential privacy in Census data https://ift.tt/BHUaL8d
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Guru z3n8 is an Epic Ethical Art Hacker ::: This.. ladies & gentle freaks is -> FUCKTALK, on Ha.ck.er N3ws: How to setup a local coding agent on macOS https://ift.tt/fCsbjtV
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c'mon kiddos all lies out of trillions how much could he actually use $100 billion not like he can go withdraw it all today it’s all sexmasons street theatre you know u are far richer than someone with trillions of dollars BHAHAHA its illusion he is not better or worse than you because of it and you can see he is miserable with it all by his actions must get boring at that level ;p
master MASON of the COVER UP -BREAKING: Trump's Kennedy Center takeover just got even UGLIER as the Washington National Opera is now suing to get its OWN $17 million endowment back. Donald Trump's Kennedy Center takeover continues to be an absolute DISASTER — and now it's facing a $17 million lawsuit from an opera company demanding its OWN MONEY back. The Washington National Opera severed its 50+ year relationship with the Kennedy Center in January, nearly a year after Trump's takeover triggered a mass exodus of artists, audiences, and donors. Now the opera says Kennedy Center officials are REFUSING to release more than $17 million that belongs to them — including endowment funds, donor gifts, and income collected specifically for the opera's benefit. This is money that donors gave to support opera in Washington. Money that the opera needs to pay its artists and keep operating. And the Kennedy Center is just holding onto it. "WNO reluctantly files this case to preserve its future and to protect its donors and artists," the opera's lawyers wrote in court papers, calling the funds "critical" to their operations. Remember how this all started: Kennedy Center officials claimed they parted ways with the opera — which had performed there since 1971 — due to a "financially challenging relationship." Apparently, part of that "challenge" involves the Kennedy Center holding onto $17 million that isn't theirs. This lawsuit lands amid TOTAL chaos at the Kennedy Center. A federal judge already ordered Trump's name removed from the building and temporarily blocked his plan to shut the institution down for two years of renovations. Trump — who installed himself as chairman of the board — is now appealing that ruling. So, let's recap Trump's Kennedy Center legacy so far: he drove out artists, audiences, and donors. He triggered the departure of a world-class opera company after 54 years. A federal judge stripped his name from the building. And now the institution is being sued for $17 million by an opera company trying to get its own donors' money back. This is what happens when Trump turns one of America's premier cultural institutions into a political trophy. The arts deserve better. Washington deserves better. The American people deserve better.
I do this all for you buddy —-On this day, 11 June 1943, Karl Gorath, a 20-year-old gay German nurse, was deported to the Auschwitz concentration camp. He was first arrested for homosexuality after being denounced by a jealous lover in 1939, and given a prison sentence. After his release he was sent to the Neuengamme concentration camp, where he was made to wear a pink triangle denoting LGBT+ prisoners. Working in the camp's health department, with some comrades he attempted to smuggle food to Russian prisoners, who were being starved to death. Their plan was discovered by the Nazis, who then sentenced Gorath to transportation to Auschwitz as a criminal and political prisoner, to be denoted with a red triangle. Despite contracting dysentery, he managed to survive the war and was released in 1945. But within a few months he was arrested again by West German authorities, who had kept the homophobic Nazi laws intact. His case was overseen by the same judge, who greeted him with the words "You are already here again!" and gave him the maximum sentence of five years. His lawyer requested that his time served in the concentration camps be counted as part of this, but his request was denied. After his release, because of his convictions he was unable to get a job for a decade. And when the time came to draw his pension, his years interned in concentration camps were deducted from his allowance, as were his unemployment payments. He died in 2003, having never received compensation for his treatment, unlike some other Holocaust survivors. He told his story in a 2000 documentary, "Paragraph 175", named after the relevant section of the penal code. This is one of hundreds of stories featured in our book, Be Gay, Do Crime: Everyday Acts of Queer Resistance and Rebellion, available with global shipping: https://shop.workingclasshistory.com/products/be-gay-do-crime-everyday-acts-of-queer-resistance-and-rebellion
BREAKING🚨 ICE cut a deportation hype video to Ariana Grande’s “Bye” and posted it on the White House TikTok. Ariana saw it and fired back: “barbaric, inhumane, heinous nonsense… F**k ICE.” The clip went up earlier this week on an official White House account. It shows Immigration and Customs Enforcement agents in tactical gear arresting people, putting them in handcuffs and loading them into vehicles. Over the top, they used Ariana’s 2024 track “Bye” as the soundtrack, with a caption bragging about Trump delivering “the most secure border in history.” It was a deportation reel dressed up as pop culture content. Ariana found the video, went straight into the comments and left a message that reporters quickly screenshotted. “Please do not ever use my music in relation to this barbaric, inhumane, heinous nonsense. F**k ICE,” she wrote. Her team has confirmed the quote is real, even though the comment later stopped showing publicly on the post. After the backlash, the audio on the TikTok was quietly muted. This is not happening in a vacuum. For over a year, the Trump administration has been pumping out slick social clips of ICE raids and charter flights full of deportees, often set to Top 40 songs they did not ask permission to use. Olivia Rodrigo called out Homeland Security last year for putting “all-american bitch” over a “self-deportation” video. Jess Glynne’s “Hold My Hand” was dropped into another deportation montage. Each time, the pattern is the same. Federal power on screen. Pop music on top. Human beings turned into content. Ariana’s line cuts through that spin. She is not just protecting her brand. She is putting a clear label on what the government is trying to normalize. Families being separated, people disappeared from their communities, entire flights of immigrants expelled from the country while officials celebrate with meme captions and stolen soundtracks. Artists have leverage here. Their songs are the emotional engine for a lot of this propaganda. When they refuse consent, when they say openly “do not use my music to sell cruelty,” it breaks the illusion that this is just another trending video. It exposes what is really on screen. If you appreciate my posts, it would mean the world if you followed my page. Thank you for b
Bud Light sponsors Trump’s UFC cage fight 3 years after MAGA boycotted over trans influencer video
Bud Light sponsors Trump’s UFC cage fight 3 years after MAGA boycotted over trans influencer video: Bud Light promised no more support for controversial issues, but it seems like they meant LGBTQ+ people.
fucken goofs if they take away porn I will just reset each blog take the over 18 off and just post daily at the most shirtless so no more nudes have about 900 years left of content without guys showing their penis off anyway its fucken funny project 2025 they want to take off all porn and I was like well do I end all blogs? or what? hahaha or put them on pause for a few years till this blows over but lots of attractive guys with their clothes on bahahaha same guy that wants to take off porn got caught fucking a porn star and is one of the most prolific perverts of the last two centuries go figure it wont last long I just try my best to evolve with things
no matter which party except radical change like global anonymous gets a hundred billion in fiat for their party to form its like democrats vs republican liberal vs conservatives in canada no matter what happens the same fucken goofs are in power that make $500 a day telling you how to live on $9 a day that they give you--- something is really off and stenchy and podesta and pizza gate was just as shocking as the epstein files somewhere people are going to be like we need real people former or current stoners and sluts pill poppers perverts punks lesbians and some rebels to take over cause this shit is bonkersville lol
BREAKING🚨 While the Epstein files were being quietly redacted inside the Situation Room, survivors’ names were exposed and powerful men stayed hidden. The man in those meetings is now Trump’s pick for attorney general. The survivors are saying absolutely not. Nineteen women who survived Jeffrey Epstein’s abuse have come forward together to oppose Todd Blanche’s nomination as Trump’s permanent attorney general. Their letter responds to a report that Blanche joined closed door White House meetings in the Situation Room about how to handle the political fallout from the Epstein files, at the exact moment survivors and members of Congress were demanding full transparency. Those meetings were not about opening new investigations. They were about managing a public relations crisis. According to the survivors, senior officials focused on “the release of Epstein files as a reputational concern” rather than using that mandate to chase leads, follow names and finally expose the full network of abusers and enablers. The women are specific about Blanche’s role. As acting attorney general, he oversaw the release process after Congress forced the administration to make Epstein related records public. Survivors say those releases were riddled with problems. Their private information was exposed in some documents. At the same time, names of alleged co conspirators and powerful associates stayed hidden behind thick black redactions or were withheld entirely. Blanche has repeatedly told the press and senators that he has engaged with survivors and taken their concerns seriously. The women flatly deny it. In their statement, they say he has not met with any of them, that their requests for meetings went nowhere and that he has “consistently minimized legitimate concerns” about the files. They call his nomination “a clear case of failing upward.” This is not just about paperwork. Survivors argue that the Justice Department found time to manage Ghislaine Maxwell’s interview, stage manage transcripts and announce the Epstein review is “over” while leaving victims to beg for basic answers. They point out that many have already reported crimes, multiple times, and are now being told to come forward again because the system did not act. Their demand to the Senate is blunt. They want an attorney general who will use the full power of the office to seek justice, protect future victims and finally bring the whole Epstein network into the light, instead of treating survivor privacy and public transparency as political problems to be managed.
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